Introduction to playing from score . m ^if?g 68 SIMPLE FORMS OF ARRANGEMENT. :ö: =igl i »/• T fei -fe ^Z ^^mm^^^ The four-fold stretto of the principal motive and itsinversion bars 46—49 is possible on the piano only by acomplete change of the order of all the parts, which theplayer cannot possibly find a m^-^^^^^4^^^^?- -^t=tt Hf^i =.X=\ •6 IB ii f Islpp^g^^i Since, as we said, this resource is to be found outonly by various trials, the retention of the two outer SIMPLE FORMS OF ARRANGEMENT. 69 parts with plain harmonies for the inner parts must sufficein similar cases, as for instanc

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Introduction to playing from score . m ^if?g 68 SIMPLE FORMS OF ARRANGEMENT. :ö: =igl i »/• T fei -fe ^Z ^^mm^^^ The four-fold stretto of the principal motive and itsinversion bars 46—49 is possible on the piano only by acomplete change of the order of all the parts, which theplayer cannot possibly find a m^-^^^^^4^^^^?- -^t=tt Hf^i =.X=\ •6 IB ii f Islpp^g^^i Since, as we said, this resource is to be found outonly by various trials, the retention of the two outer SIMPLE FORMS OF ARRANGEMENT. 69 parts with plain harmonies for the inner parts must sufficein similar cases, as for instance:

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Keywords: ., bookauthorriemannh, bookcentury1900, bookdecade1900, bookyear1904