. International Studio an Illustrated Magazine of Fine and Applied Art. sses aswell as exert a strong in-fluence on the art of paint-ing, which has so long beendivorced from its originalscientific application aspractised by Leonardo, Vel-asquez, Hokusai and theimmortal Whistler—allmen who knew and had a kdiakd j. stkichex definite, formulated and thoroughly scientific rea-son in all their work. J. X. L. The Toledo Museum of Art has begun toissue a bulletin. This welcome publication wasstarted with the November number and appearsto be due to the personal initiative of the directorof the Museum,
. International Studio an Illustrated Magazine of Fine and Applied Art. sses aswell as exert a strong in-fluence on the art of paint-ing, which has so long beendivorced from its originalscientific application aspractised by Leonardo, Vel-asquez, Hokusai and theimmortal Whistler—allmen who knew and had a kdiakd j. stkichex definite, formulated and thoroughly scientific rea-son in all their work. J. X. L. The Toledo Museum of Art has begun toissue a bulletin. This welcome publication wasstarted with the November number and appearsto be due to the personal initiative of the directorof the Museum, George W. Stevens. The laterissues show a consistent improvement in typo-graphical details. The numbers are December issue carries a reproduction incolor-process of a painting by L. E. Van Gorder,entitled At Toledo Beach, on view in the interesting feature of the work in hand is theseries of talks to school children. Groups are ad-dressed informally on some art topic every day in theschool year, a significant step in popular SELF-PORTRAIT, IQOI, GUM IRINT XXIH The Baltimore Experiment A RT IN THE MARKET PLACETHE BALTIMORE EXPERIMENTBY LEILA MECHLIN Reverting to ancient methods, theMunicipal Art Society of Baltimore has been en-deavoring, this winter, to increase an intelligentlove of art on the part of the general public by liter-ally having it preached in the market places. Acourse of popular lectures on art has been deliveredby Mr. John Quincy Adams, of the Art Commissionof New York, under the auspices of the MunicipalArt Society, in the market halls of the city. Thecourse comprised ten lectures, each of which wasgiven three times in as many different places. Thefirst was delivered on November 27 and the lastFebruary 27. They were illustrated by objectsand stereopticon slides, and were practical as wellas popular. Some of the subjects were, for exam-ple : What is Art? Art in the Days Work, Art in the Use of Things and Art in the Str
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