. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. ulrJtNVjyjiJlJ^y til FIQ. 221.—PORTAL AT PERSEPOLIS,PERSIA. See pages 393, 39S. FIG. 222.—ACr OTERIUM AND GUTTER,TEMPLE OF pages 3S9, 393, 398. natural tendency invariably characterizing a certain stage of architectural development. Notice the combination of the man, four-footed beast, and bird in tlie illustration from Persian architecture in Fig. 221, page 393 ; of the four-footed beast and bird in the Egyptian, Fig. 223, page 393, of the same in the Greek, Fig. 222, page 393 ; and
. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. ulrJtNVjyjiJlJ^y til FIQ. 221.—PORTAL AT PERSEPOLIS,PERSIA. See pages 393, 39S. FIG. 222.—ACr OTERIUM AND GUTTER,TEMPLE OF pages 3S9, 393, 398. natural tendency invariably characterizing a certain stage of architectural development. Notice the combination of the man, four-footed beast, and bird in tlie illustration from Persian architecture in Fig. 221, page 393 ; of the four-footed beast and bird in the Egyptian, Fig. 223, page 393, of the same in the Greek, Fig. 222, page 393 ; and of the same in the gargoyle, which, as produced in Cologne Ca- p,q. hieraco sphinx. thedral, is imitated from a see pages 393, 394 I^AINTING, SCULPTURE, AND ARCHITECTURE. style common in the earlier Gothic architecture, in Fig. 224,page 394. Some, whose attention has never been directed
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