Organ-stops and their artistic registration : names, forms, construction, tonalities, and offices in scientific combination . Fig. 25 Tone and Registration—The tone of the properly made andartistically voiced Lieblichgedeckt is very beautiful, being of asingularly pure organ flute quality almost free from its first upperpartial tone. It may be accepted as the most refined tone producedby the covered stops of the Organ; while it is equal to the finesttones of the half-covered stops. The purity of its tone renders itextremely valuable in simple combination and artistic registration,chiefly on ac
Organ-stops and their artistic registration : names, forms, construction, tonalities, and offices in scientific combination . Fig. 25 Tone and Registration—The tone of the properly made andartistically voiced Lieblichgedeckt is very beautiful, being of asingularly pure organ flute quality almost free from its first upperpartial tone. It may be accepted as the most refined tone producedby the covered stops of the Organ; while it is equal to the finesttones of the half-covered stops. The purity of its tone renders itextremely valuable in simple combination and artistic registration,chiefly on account of its perfect mixing quality, and its forming sofine a background for the display, so to speak, of pronounced tone-colors furnished by stops having imitative voices. The value, from aregistration point of view, of the entire family of the Lieblich-gedeckts, 16 ft., 8 ft., 5J/£ ft., and 4 ft., has not been properly, if atall, recognized by organ experts and designers; and their specialvalue when grouped in the same division has been altogether un-realized. The Lieblichgedeckt, 5^ ft., may be omitted should asto
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectorganmu, bookyear1921
