. Florence home needle-work. Fig. 33. - Full-width Section of Florence Silk Mosaic. Detail op Fig. 34. Fig. 33 shows the way of basting the material beforeembroidering, to indicate the proper slant for increase and 30 FLORENCE HOME wSSSMfaWJffl EffffrMwB decrease at ends of neck-band. A dotted line (A) marksthe central figure before mentioned.* All of the patterns seen in the engravings are worked onthe surface showing raised warp figures. Some of the cuts show a point markedA, where the workbegins; and are alsomarked B, indicatingthe end of first nearly every one ofthe de
. Florence home needle-work. Fig. 33. - Full-width Section of Florence Silk Mosaic. Detail op Fig. 34. Fig. 33 shows the way of basting the material beforeembroidering, to indicate the proper slant for increase and 30 FLORENCE HOME wSSSMfaWJffl EffffrMwB decrease at ends of neck-band. A dotted line (A) marksthe central figure before mentioned.* All of the patterns seen in the engravings are worked onthe surface showing raised warp figures. Some of the cuts show a point markedA, where the workbegins; and are alsomarked B, indicatingthe end of first nearly every one ofthe designs shown here, whenthe first row is complete at thepoint I>, the work is turned inthe hand before beginning thesecond row, andthis must be re-peated at the endof each and everyrow. In startingon an unfamiliarpattern it will beadvisable in turn-ing the work toalso turn the en-graving, so thatthe relative posi-tions will be alike,as the rows do not in every case ^tJ^V-S!??*..J^?%.J!,* t JS k. Jf t^nki S [ i *: j -*??*. jt -*. .*• ?*. * ?£> Vjr-%. If* Fig. 34. Gents Pour-in-hand Embroidered. begin and end in the same manner.
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Keywords: ., bookcentury, booksubjectlaceandlacemaking, booksubjectneedlework
