An introduction to the study of prehistoric art . Fig. 252. —Design on Trundholme disk. these, 2| inches in diameter, has the two lugs, but allevidence of the carriage on which it was fixed has disap-peared (Fig. 254). The gold cover-ing the surface, if it ever existed,is also wanting, and there is no spiralornament. A single zone of a seriesof concentric circles lies betweena centre of concentric circles anda chevron border. The other is agold-leaf disk, 2^ inches in dia-meter, with two zones of series ofconcentric circles surrounding acentre of concentric circles (). The surface is co
An introduction to the study of prehistoric art . Fig. 252. —Design on Trundholme disk. these, 2| inches in diameter, has the two lugs, but allevidence of the carriage on which it was fixed has disap-peared (Fig. 254). The gold cover-ing the surface, if it ever existed,is also wanting, and there is no spiralornament. A single zone of a seriesof concentric circles lies betweena centre of concentric circles anda chevron border. The other is agold-leaf disk, 2^ inches in dia-meter, with two zones of series ofconcentric circles surrounding acentre of concentric circles (). The surface is contributes two other p-old. Fig. 253.—Design on Trund-holme disk. 1 S. Miiller, Urgeschichte Eurofas, Tafel 11., p. 116. By the kind-ness of Prof. Sophus Miiller the illustration in the Guide io theCopenhagen Museum is here reproduced (Fig. 251). 232 PREHISTORIC ART disks, 2*8 and 17 inches in diameter respectively. Theyare flat and ornamented with a cross, also a symbol of the
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Keywords: ., bookcentury1900, bookdecade1910, bookidintroduction, bookyear1915
