International studio . nt. Obviously a paintersdrawings, thev are still completelv finished,136 with a most tactful recognition of the nature ofthe means employed. As might be expected of such a consistentworker, the life of Mr. Arnesby Brown affordsfew biographical details. Apparently he hasbeen painting all his life, with as little conscious-ness of an aesthetic occupation as if he weregrowing beans or breeding cattle. Born atNottingham in 1866, he received his art educa-tion at the local School of Art, and at the Her-komer School, Bushey. He first exhibited atthe Academy in 1890, was made a
International studio . nt. Obviously a paintersdrawings, thev are still completelv finished,136 with a most tactful recognition of the nature ofthe means employed. As might be expected of such a consistentworker, the life of Mr. Arnesby Brown affordsfew biographical details. Apparently he hasbeen painting all his life, with as little conscious-ness of an aesthetic occupation as if he weregrowing beans or breeding cattle. Born atNottingham in 1866, he received his art educa-tion at the local School of Art, and at the Her-komer School, Bushey. He first exhibited atthe Academy in 1890, was made an Associatein 1903, and elected in 1915. Two of hispictures have been bought for the nation out ofthe Chantrey Bequest Fund ; Morning in 1901,and Silver Morning in 1910 ; and he is repre-sented at the Guildhall, in the National Galleriesof Canada and Australia, and in all the pro-vincial public galleries of England. It is afortunate circumstance that so popular an artistshould be such a genuine master of +r*>wktggz |^H V. THE WHITE HOUSE. oil paintingby ARNESBY BROWN, RA. FURTHERLEAVES FROM THE SKETCH-BOOK OF ARTHUR TUCKER, (A first series of Leaves from Mr. Tuckers Sketch-Book was publishedin our issue of July 1914)
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
