. Programme. s of the Ceciha). Boston Symphony Orchestra, April 8, 1899 (David Ffrangcon-Davies,reader; Mmes. Titus and Edmands; Messrs. Herbert Johnson, Hay,Martin, Hyland, and Ashenden). The Entracte was played in Boston for the first time at a concertof the Harvard Musical Association; February 23, 1871. The Entracteand Invocation to the Alpine Fay were played at a Theodore Thomasconcert on December 5, 1877. Good Friday Spell from Parsifal Richard Wagner (Born at Leipsic, May 22, 1815; died at Venice, February 13, 1883.) The Charfreitagszauher (Good Friday Spell) is at the end of Scene I.,A
. Programme. s of the Ceciha). Boston Symphony Orchestra, April 8, 1899 (David Ffrangcon-Davies,reader; Mmes. Titus and Edmands; Messrs. Herbert Johnson, Hay,Martin, Hyland, and Ashenden). The Entracte was played in Boston for the first time at a concertof the Harvard Musical Association; February 23, 1871. The Entracteand Invocation to the Alpine Fay were played at a Theodore Thomasconcert on December 5, 1877. Good Friday Spell from Parsifal Richard Wagner (Born at Leipsic, May 22, 1815; died at Venice, February 13, 1883.) The Charfreitagszauher (Good Friday Spell) is at the end of Scene I.,Act III. of the music drama. Gurnemanz, now a very old man, is livingas a hermit in a rude hut at the edge of a forest. The scene represents ameadow dotted with flowers. Gurnemanz comes out of the hut at theleft, for he has heard a groaning, as from a beast in pain. He finds Kun-dry half-dead, in lethargic sleep. He awakens her; she can say only:To serve! To serve! She goes for water. Kneeling by a spring, she. Tl itore That «^ TAILORMADES andKNOCKABOUTS jor Women and Young Women THE • SERVICE ? STORE Millinery Our showing of Spring Millinery is our customers it is understood prettygenerally that they are not to expect from us anyformal notice of a Millinery Opening. We gaveup that custom some years ago and see no reasonfor restoring it. There is no day fixed for exhibiting all themodels that may be developed for the season. Weare daily receiving new millinery. Our own work-rooms supply us continuously, as rapidly as goodworkmanship permits, v/ith reproductions of Frenchmodels made from imported materials. In this connection we would suggest that choiceof materials as well as style is an important factorin satisfactory millinery. That is why we searchthe Paris markets so carefully for materials bestsuited to the kind of hats our customers is something about imported trimmings,appropriately used, that gives to the hat the touchof individuality so highl
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
