Cover Page from Geometria et Perspectiva 1567 Lorenz Stoer The fascination with perspective and geometry culminates in this print series designed by Lorenz Stoer. Aside from the title page, the work is devoid of text but features illustrations of fantastical landscapes populated by polyhedrons amid ruins and strapwork constructions. The title page explains the puzzling images: they are said to be useful to artists working in the field of wood inlay, or marquetry. The art of rendering perspectival imagery in marquetry was popular in Italy throughout the fifteenth and sixteenth centuries and was
Cover Page from Geometria et Perspectiva 1567 Lorenz Stoer The fascination with perspective and geometry culminates in this print series designed by Lorenz Stoer. Aside from the title page, the work is devoid of text but features illustrations of fantastical landscapes populated by polyhedrons amid ruins and strapwork constructions. The title page explains the puzzling images: they are said to be useful to artists working in the field of wood inlay, or marquetry. The art of rendering perspectival imagery in marquetry was popular in Italy throughout the fifteenth and sixteenth centuries and was adopted in southern Germany as well. Several cabinets from the later sixteenth century with decorations in the style of Stoer’s prints are known, one of which can be found in the Museum’s own collection (see ). The extent to which meaning was ascribed to this kind of imagery, or whether they were thought of simply as decorative patterns, is –.13 for additional pages in the bound volume. This page, block trimmed at top and Cover Page from Geometria et Perspectiva. Lorenz Stoer (German, ca. 1530–after 1621). 1567. Woodcut in a bound volume with 13 sheets. Hans Rogel , Augsburg
Size: 3351px × 4000px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
