A new history of painting in Italy : from the II to the XVI century . o. 88. S. John in the Desert; No. 90. A Child with an orb (both wood, oil)are very different from works of our master. No. 81. Holy Family, a laterepetition of No. 438, at the Louvre (antea). See also Ince (postea). London. Stafford House.—No. 46. Wood, oil, life-size. Virgin, Child, andBaptist; taken from an original of Del Sarto, by Salviati, Nanaccio, or someother disciple of that class, masterly enough in handling, but of ruddy tone. London. Baring Collection.—The Virgin, seated with the Child on herlap, patting His chin
A new history of painting in Italy : from the II to the XVI century . o. 88. S. John in the Desert; No. 90. A Child with an orb (both wood, oil)are very different from works of our master. No. 81. Holy Family, a laterepetition of No. 438, at the Louvre (antea). See also Ince (postea). London. Stafford House.—No. 46. Wood, oil, life-size. Virgin, Child, andBaptist; taken from an original of Del Sarto, by Salviati, Nanaccio, or someother disciple of that class, masterly enough in handling, but of ruddy tone. London. Baring Collection.—The Virgin, seated with the Child on herlap, patting His chin. Below A. del Sartos powers, pleasing and probablyby Puligo (wood, oil, half life-size), injured and restored. See for a replica,Alnwick (postea), and Hampton Court. No. 139. Portrait of a man (half-length ; wood, oil, life-size). ? Puligo or Pontormo. London. Mr. Farrer.—Canvas, life-size. Pieta, after that of Vienna(Belvedere—Italian School, Room IV., No. 23), by a follower of Del Sarto. London. Mrs. Butler Johnstone.—Pieta. Canvas, same as that of LA DISPUTA BELLA TKIXITA ANDREA DEL SARTO. A Gallery. Florence.
Size: 1418px × 1762px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, bookpublisherlondondent, bookyea
