. Programme. SYAAPHONICHARMONY VA MOiXOTOHE)3ACHRAXHPHOTOG-PvAPHK Boston Conservatory of Music INCORPORATEDAGIDE JACCHIA. Director 250 HUNTINGTON AVENUE, BOSTON 17. MASS. Telephone Back Bay 2042 CATALOG SENT ON REQUEST STEINWAY PIANOFORTE. A brilliant, example of the way Paine com-bines quality and value. A dining suitefrom Americas best maker — walnut tableand five chairs upholstered in denim, $195. Paine Furniture Company Near New Arlington Street Subway Station this performance, the first in England, led by Sir Henry J. Wood,a double-bassoon was substituted for the serpent. The theme is ann
. Programme. SYAAPHONICHARMONY VA MOiXOTOHE)3ACHRAXHPHOTOG-PvAPHK Boston Conservatory of Music INCORPORATEDAGIDE JACCHIA. Director 250 HUNTINGTON AVENUE, BOSTON 17. MASS. Telephone Back Bay 2042 CATALOG SENT ON REQUEST STEINWAY PIANOFORTE. A brilliant, example of the way Paine com-bines quality and value. A dining suitefrom Americas best maker — walnut tableand five chairs upholstered in denim, $195. Paine Furniture Company Near New Arlington Street Subway Station this performance, the first in England, led by Sir Henry J. Wood,a double-bassoon was substituted for the serpent. The theme is announced by Brahms in plain harmony by windinstruments over a bass for violoncellos, double-basses, and double-bassoon. Mr. Apthorp wrote concerning the Variations: In thesevariations Brahms has followed his great predecessors—and notablyBeetlio\ en—in one characteristic point. Beethoven, as Haydn also,often treated the form of Theme with Variations in one sense some-what as he did the concerto. With all his seriousness of artisticpurpose, he plainly treated the concerto as a vehicle for the displayof executive technique on the part of the performer. Much in thesame spirit, he treated the Theme with Variations as a vehicle fort
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
