. The air brush in photography, incorporating a progressive series of lessons . 74. Figure \9—/ortrciit zcitli Sqitcirr Back-(irouiid75 Chapter XXVIILesson Twenty HE complete beveled square, as shown in Pigure 20, is blownin as already instructed in previous lessons. The squareis completed by reversing the celluloid forms and blowingin the design in sections, shading the bevel as must be taken that no lines or shadings will showwhere the forms were reversed. The white line aroundthe border of the square is obtained as explained in Lesson Eighteen. In Figure 21 this same effect
. The air brush in photography, incorporating a progressive series of lessons . 74. Figure \9—/ortrciit zcitli Sqitcirr Back-(irouiid75 Chapter XXVIILesson Twenty HE complete beveled square, as shown in Pigure 20, is blownin as already instructed in previous lessons. The squareis completed by reversing the celluloid forms and blowingin the design in sections, shading the bevel as must be taken that no lines or shadings will showwhere the forms were reversed. The white line aroundthe border of the square is obtained as explained in Lesson Eighteen. In Figure 21 this same effect is shown, applied to a full-length figure. The same methods, of course, are used. The placing of the back-ground for full-length figures, will depend largely on ones sense of proportion and judgment.
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License: Licensed
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Keywords: ., bookcentury1900, bookdecade1920, bookidairbrushinph, bookyear1920
