. The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody . -^ J yr^ V later: *=sz: e min. IV£- E maj. Haydn 2. Allegro. Et> major Par. 247. ENHARMONIC TRANSFORMATION OF THE LESSON 64. 33 A. Harmonize the following melodies, introducing a chord of the at each *,with enharmonic exchange at the following *, as indicated by the key, and according to and 178: 1. J J|r »iHHflP ^E^ fc= m c£- Bb- 2. *- * * * * * * * * 4—U- g^^^Si^ frfr* #ts &? -i-p»- ►Efcfl d f- -Ab- |gfp^iS^^ •z± *l) c C- Eb- -eb- —Gb— a *i) Th
. The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody . -^ J yr^ V later: *=sz: e min. IV£- E maj. Haydn 2. Allegro. Et> major Par. 247. ENHARMONIC TRANSFORMATION OF THE LESSON 64. 33 A. Harmonize the following melodies, introducing a chord of the at each *,with enharmonic exchange at the following *, as indicated by the key, and according to and 178: 1. J J|r »iHHflP ^E^ fc= m c£- Bb- 2. *- * * * * * * * * 4—U- g^^^Si^ frfr* #ts &? -i-p»- ►Efcfl d f- -Ab- |gfp^iS^^ •z± *l) c C- Eb- -eb- —Gb— a *i) The three lower parts together on the bass staff. B. Transform the dom. 7th-chord of every key, enharmonically, in exactly the mannershown in Ex. 180. C. Harmonize the following melodies, with an enharmonic change at each *, accordingto Ex. 180: 1. m t=t fe ■si—*- V 7 7 -IV# G V- II —1 6 a^te^aafa^te^^g^^a w a 1 , ^v 1 71 ritard. D- 777Vc# VC V B -V bb- 7 I ■Va SUPPLEMENTARY EXERCISE. Harmonize each of the following fragments, in as many keys as may be found to contain thenotes, either as legitimate or as altered steps: 2. 3. 4. 6. t==t r? ^—fg_ Hf
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