Crucified Christ, Anonymous, c. 1075 - c. 1125 The Christ figure cast as a whole is at the back. He keeps the arms with the open hands so stretched that they are in line with each other. His head hangs slightly to the right. Body and legs are stretched almost straight. The hair lies in four lanes backwards and falls in two locks on both shoulders. The ribs are indicated with shallow grooves. The fairly long minus or symmetrically pleated loin cloth is draped in such a way that it releases the knees. The feet rest on a pedestal (a supporaneum). Hands and feet are pierced. The figure is worn. Th

Crucified Christ, Anonymous, c. 1075 - c. 1125 The Christ figure cast as a whole is at the back. He keeps the arms with the open hands so stretched that they are in line with each other. His head hangs slightly to the right. Body and legs are stretched almost straight. The hair lies in four lanes backwards and falls in two locks on both shoulders. The ribs are indicated with shallow grooves. The fairly long minus or symmetrically pleated loin cloth is draped in such a way that it releases the knees. The feet rest on a pedestal (a supporaneum). Hands and feet are pierced. The figure is worn. The mouth is hardly, the beard at all can be seen. Rhine region bronze (metal) casting / gilding The Christ figure cast as a whole is at the back. He keeps the arms with the open hands so stretched that they are in line with each other. His head hangs slightly to the right. Body and legs are stretched almost straight. The hair lies in four lanes backwards and falls in two locks on both shoulders. The ribs are indicated with shallow grooves. The fairly long minus or symmetrically pleated loin cloth is draped in such a way that it releases the knees. The feet rest on a pedestal (a supporaneum). Hands and feet are pierced. The figure is worn. The mouth is hardly, the beard at all can be seen. Rhine region bronze (metal) casting / gilding

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