Cylinder seal and modern impression: male worshiper, dog surmounted by a standard ca. mid-2nd millennium Kassite Although engraved stones had been used as early as the seventh millennium to stamp impressions in clay, the invention in the fourth millennium of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay t

Cylinder seal and modern impression: male worshiper, dog surmounted by a standard ca. mid-2nd millennium Kassite Although engraved stones had been used as early as the seventh millennium to stamp impressions in clay, the invention in the fourth millennium of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be styles known from the Kassite period draw upon both the rich historical traditions of Mesopotamia and the contemporary art of the broader ancient Near East. The so-called First Kassite Style harkens back to the Old Babylonian presentation scene, in which a worshiper appears before a deity, often accompanied by an inscription, but is distinguished from this earlier style by lengthy inscriptions and elongated figures. On this First Kassite Style cylinder a male figure wearing a rounded cap and a long fringed dress stands behind an open-mouthed dog who wears a collar and has a standard on his head. The dog and standard may represent a statue or other divine symbol. The male figure is in a devotional pose and probably represents a worshipper. A five-line Sumerian inscription, carved using ancien

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