International studio . eria of the Sunday cir-cus. And so would itbe possible, did spacepermit, to continuecommenting upon theother artists akin tothese—Randall Davey,1 trome Myers, Prender-uMst, the two Beals,Robert Ball, Jane Pe-terson, and others few expressive can-vases peculiarly indi-vidual to their creatorsought also to be mentioned. There is CarlSchmitts Autumn Lyric, with its magnetic colour:there is Ross Mofifetts ,4 Portuguese Family ofCape Cod, infused with a wild grace and pathos;there is Giovanni Troccolis lovingly done Por-trait of Mrs. Brinckerhof; there are Jonas Liesmas
International studio . eria of the Sunday cir-cus. And so would itbe possible, did spacepermit, to continuecommenting upon theother artists akin tothese—Randall Davey,1 trome Myers, Prender-uMst, the two Beals,Robert Ball, Jane Pe-terson, and others few expressive can-vases peculiarly indi-vidual to their creatorsought also to be mentioned. There is CarlSchmitts Autumn Lyric, with its magnetic colour:there is Ross Mofifetts ,4 Portuguese Family ofCape Cod, infused with a wild grace and pathos;there is Giovanni Troccolis lovingly done Por-trait of Mrs. Brinckerhof; there are Jonas Liesmasterly water scenes. At the Dock and At Sun-rise; there is Hayley Levers Dawn, well com-posed and marked by exquisitely harmonioustone; and lastly there is Rockwell Kents Burialof a Young Man, in which not alone the impres-sive procession of figures but the very cliffs andsea and sky express their grief in line and exhibition is the first biennial at which ithas been possible to use the large semi-circular. Thr Curtoran W .\i!, II u,/.;;;.:„«. ;,. Ml ns AM) DAMKl. Some PhiladeipJiian ExJiibitions gallery recently added to the resources of theCorcoran. It is gratifying to note that this roomcontains a group of pictures worthy of their set-ting. Here Ritschel has a vigorous rendering ofThe Morning Tide, California; here is AdolpheBories Xude Figure, as enigmatic as SevffertsResting is tediously technical; here is HowardRussell Butlers Surging Seas in Sunlight, whichtitle alone is apt to inveigle into admiration thosefond of splendid sounds. Here are two poeticpaintings by Ettore Caser; here is another ver-sion of homely beauty by Ben Foster; here aretwo striking examples of Joseph Pearsons largeand ample style of decorative work, one of which,Winter, is exceptionally satisfying. And to makean end of this room, take last the gorgeous Fan-tasy of Charles H. Woodbury, whose Challenge,hung elsewhere, is as dashing as the former isdazzling. H
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