A new history of painting in Italy : from the II to the XVI century . opher and Jerome, No. 377 of the Borghese Gallery at Rome,although Morrelli gives this work to Pinturicchios earlier years. Both MR. BERENSON and MR. PERKINS give to Fiorenzo the beautiful Annun-ciation in Mrs. Gardners Coll. at Boston (), perhaps one of Fiorenzos bestworks (cf. Rassegiw dArte, for August 1907). A small panel of S. Jerome in the Desert, ascribed to Fiorenzo, is in the MorelliGallery at Bergamo.] 1 See VASARI, Life of Perugino, vol. vi., p. 55. ! PTJNGILEONI, Elogio Storico di Timoteo Viti (Urbino, 1835
A new history of painting in Italy : from the II to the XVI century . opher and Jerome, No. 377 of the Borghese Gallery at Rome,although Morrelli gives this work to Pinturicchios earlier years. Both MR. BERENSON and MR. PERKINS give to Fiorenzo the beautiful Annun-ciation in Mrs. Gardners Coll. at Boston (), perhaps one of Fiorenzos bestworks (cf. Rassegiw dArte, for August 1907). A small panel of S. Jerome in the Desert, ascribed to Fiorenzo, is in the MorelliGallery at Bergamo.] 1 See VASARI, Life of Perugino, vol. vi., p. 55. ! PTJNGILEONI, Elogio Storico di Timoteo Viti (Urbino, 1835), note to p. 34, quotesfrom Padre FRANCESCO MARIA ANGELIS Collis Paradisi Amcenitas, published atMontefalco in 1704, a passage in which the four prophets in the chapel of S. Lodovicoat Francesco of Assisi are assigned to Ingegno, who is supposed to have paintedon the walls previously covered by Buffalmacco, the frescoes of the latter having,in 1490, gone to ruin. The same statement, according to Pungileoni, is to be foundin the registers of S. Francesco of REREDOS FlORFXZO DI Alinari. Pinacotsca, I.
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