Pembury Mill, Kent (Liber Studiorum, part III, plate 12) June 10, 1808 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a rustic mill with bright sunlight drawing attention to a ma
Pembury Mill, Kent (Liber Studiorum, part III, plate 12) June 10, 1808 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a rustic mill with bright sunlight drawing attention to a man inside filling sacks with flour. Outside, fellow workers load a cart while a dog sleeps in the foreground near a dripping waterwheel and dovecote. The letter "P" in the upper margin indicates Turner's category of Pastoral Pembury Mill, Kent (Liber Studiorum, part III, plate 12) 382917
Size: 2515px × 1809px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
