. A manual of botany. Botany. 192 MANUAL OP BOTANY united, the styles being distinct; while in the. Primrose (fig. 367), the ovaries, styles, and stigmas are all united. When two Fig. 410. Fig. 411. Fig. 413. Fig. 410. Apocarpous pistil of the Plieasant's-eye {Adonis). Fig. 411. Pistil of Xanthoxylon fraxineam supported on a gynophore, g. The ovaries, o, and styles are distinct, but the stigmas, 5, are united. Fig. 412. Pistil of Horehound {Marrub-lum vulgare), a" Labiate Its ovaries, ov, are distinct, the styles, s, being united, and the stigmas distinct. Fig. 413. Pistil of Myos
. A manual of botany. Botany. 192 MANUAL OP BOTANY united, the styles being distinct; while in the. Primrose (fig. 367), the ovaries, styles, and stigmas are all united. When two Fig. 410. Fig. 411. Fig. 413. Fig. 410. Apocarpous pistil of the Plieasant's-eye {Adonis). Fig. 411. Pistil of Xanthoxylon fraxineam supported on a gynophore, g. The ovaries, o, and styles are distinct, but the stigmas, 5, are united. Fig. 412. Pistil of Horehound {Marrub-lum vulgare), a" Labiate Its ovaries, ov, are distinct, the styles, s, being united, and the stigmas distinct. Fig. 413. Pistil of Myosotis, a Boraglnaceous plant, ov. Distinct ovaries. (J. United styles. or more ovaries are thus completely united so as to form one body, the organ resulting from their union is called a compound ov polycarpellary ovary. Fig. 415. Fig. 414, Fig. Fig. 414. Flower of the Rue {Ruta graveolem), showing the ovaries, ov, united at their bases. Fig. 415. a. Diagram of three carpels placed side by side, but not united. &. A transverse section of the ovaries of the same. Fig. 416. a. Diagram of three carpels united by their ovaries, the styles and stigmas being free. 6. A transverse section of the ovaries of the same. Polycarpellary Ovary.—The compound ovary formed as just stated may either have as many cavities separated by par-. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Green, J. Reynolds (Joseph Reynolds), 1848-1914. London, J. & A. Churchill
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