. Furniture for the craftsman; a manual for the student and machanic. Figs. 14 to 18—Forms of Chair Seats of years to be eliminated. For the accepted classificationwe must know the style under discussion as Queen Anne—-however little she had anything to do with the change of artbrought over by her Dutch brother-in-law, Fig. 19—Queen Anne Splatback Chair The William and Mary, however, or Queen Anne, as wewill call it, must necessarily strongly attract our attention, for INFLUENCE OF ANTIQUE MODELS 17 with the constant preference for the Colonial in our presentday furnishings we have i
. Furniture for the craftsman; a manual for the student and machanic. Figs. 14 to 18—Forms of Chair Seats of years to be eliminated. For the accepted classificationwe must know the style under discussion as Queen Anne—-however little she had anything to do with the change of artbrought over by her Dutch brother-in-law, Fig. 19—Queen Anne Splatback Chair The William and Mary, however, or Queen Anne, as wewill call it, must necessarily strongly attract our attention, for INFLUENCE OF ANTIQUE MODELS 17 with the constant preference for the Colonial in our presentday furnishings we have in it the results of an early kings foster-ing care of his home arts in cabi-net making, as seen when consider-ing the furnishings of an earlycolony home. Another marked feature of theQueen Anne style was a changefrom a square or rectangular out-line to a rounded or curvilinearform in the shape of the seatframes, as indicated in Figs. 14,15, 16, 17 and 18. Also the chairbacks were of a baluster or splatlike character instead of solid pan-els as in Figs. 13 and iq. The Windsor type of armchair brought out at that timeshows such baluster or splat in the center. This form of chair,Fig. 20, is greatly identified with Colonial homes.
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Keywords: ., bo, bookcentury1900, bookdecade1910, bookidfurnitureforcraf01otte
