International studio . = . K Z < I—I r;r CO ^ a 2 S < Stmiio-Talk. riLLOW-LACK D OYLEV By LKNl MATTIIAEI such as Dora Hitz, Julie Wolfthorn, CorneliaPaczka, Ottilie Roderstein, Hedwig Weiss, FriedaMenshausen, Marie von Eickhof-Reitzenstein,and Clara Arnheim maintained their Piloty introduced herself as a sure wielderof the brush, and Hildegard von Mach as aninteresting psychologist. Manet was recognisablein Malgonia Stern, Kate Schaller-Haerlin, andEmilie von Hallavanya. Marie Slavona was naturaland fresh, Charlotte Otzen refined, Paula Geigervon Blankenburg serious, Cl

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International studio . = . K Z < I—I r;r CO ^ a 2 S < Stmiio-Talk. riLLOW-LACK D OYLEV By LKNl MATTIIAEI such as Dora Hitz, Julie Wolfthorn, CorneliaPaczka, Ottilie Roderstein, Hedwig Weiss, FriedaMenshausen, Marie von Eickhof-Reitzenstein,and Clara Arnheim maintained their Piloty introduced herself as a sure wielderof the brush, and Hildegard von Mach as aninteresting psychologist. Manet was recognisablein Malgonia Stern, Kate Schaller-Haerlin, andEmilie von Hallavanya. Marie Slavona was naturaland fresh, Charlotte Otzen refined, Paula Geigervon Blankenburg serious, Clara von Beringe strongand delicate, and Anna Costenoble and Agnes vonBillow convincingly energetic. Pathetic feelingmarked the duo of Charlotte Behrendt, IvindaKogel was in line and colour, ErnaIloppe showed a striving for the naturalism ofMillet, and Adele von Finck continued her over-sensitive sestheticism. The landscapes of EuiseBegas-Parmentier, Hanna Mehls, and Eva Stort joy in simplified design and strongcolour, in reminiscences of peasant art,was a

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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament