. The Australian flora in applied art. showing it carved as a capital in Sydneysandstone. A richness of invention is])roduced without, in the least, destroyingthe identity of the flower. This column »forms part of the colonnade at NewingtonCollege, Fig. 9. (c) Ceilings. All credit must be gi\^en to the captains or leaders of Industrial Art inSydney ior tiie attention given lo or tlie employment of our native flora intheir various manuiael ures. The illustration (Mguu 10) is one of severaldifferent designs from the factory of Messrs. Wunderlich, Sydney, and is areproduction of a ceilin
. The Australian flora in applied art. showing it carved as a capital in Sydneysandstone. A richness of invention is])roduced without, in the least, destroyingthe identity of the flower. This column »forms part of the colonnade at NewingtonCollege, Fig. 9. (c) Ceilings. All credit must be gi\^en to the captains or leaders of Industrial Art inSydney ior tiie attention given lo or tlie employment of our native flora intheir various manuiael ures. The illustration (Mguu 10) is one of severaldifferent designs from the factory of Messrs. Wunderlich, Sydney, and is areproduction of a ceiling j)anel decoiated with the Waratah. Perhaps moreconventionalisation is introduced here than generally obtains when dealing with APPLIED ART. this subject. Xcvrithclcss, it only goes to show that, however much couven-tionahsation is introduced, the I)()tanical identilication is stih in evidence,which is a great i)oint in its favour as a national llower. In tact, it seems //
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectdecorationandornamen
