Academy notes . * No. 21. 36 X 60. No. 21, *^ WashingPlace^ Normandyy Leslie Thomson. Gallery I. Next on the line is a landscape, to be carefully noted—No. 17,Noontides Htish and Heat and Shine, Frank Walton ; aboveare No. 15, Lozu tide; coast of Normandy! ADRIAN Stokes ;No. 16, An Autttmn Evening! O. RiCKATSON ; and No. 21, AWashing Place, Normandy LESLIE THOMSON {sketched on lastpage). The prominent pictures on this wall are— No. 18. He talked with him of Cain! John Pettie, figures ; a scene from Eugene Aram. No. 23. Sir F, S. Roberts, Bt! W. W. OULESS, RA.(See No. 223, in Ga
Academy notes . * No. 21. 36 X 60. No. 21, *^ WashingPlace^ Normandyy Leslie Thomson. Gallery I. Next on the line is a landscape, to be carefully noted—No. 17,Noontides Htish and Heat and Shine, Frank Walton ; aboveare No. 15, Lozu tide; coast of Normandy! ADRIAN Stokes ;No. 16, An Autttmn Evening! O. RiCKATSON ; and No. 21, AWashing Place, Normandy LESLIE THOMSON {sketched on lastpage). The prominent pictures on this wall are— No. 18. He talked with him of Cain! John Pettie, figures ; a scene from Eugene Aram. No. 23. Sir F, S. Roberts, Bt! W. W. OULESS, RA.(See No. 223, in Gallery III.). No. 24. 41 X 62. No. 24. The Magicians Doorway. Briton Riviere, No. 29. Mrs, James Stern; in red velvet. J. E. MiLLAlS, No. 30. The Dnke of Monmouths interview with James II!* John Pettie, One of the most powerful and dramatic of this artists king stands on the right, in an apartment of his palace, withMonmouth on the ground at his feet. Note the management oflight through blue curtains, and reflections on the shining floor. Above are—No. 25, The River Avon at Bideford! F. White-head ; and No. 28, Landing Herrings at Whitby! D. FiSHER. * See explanatory paragraph in Royal Academy official catalogue. lO Academy Notes^ 1882. 1— . 1 -^i-
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Keywords: ., boo, bookcentury1800, bookdecade1870, booksubjectart, bookyear1875
