. Wood notes wild, notations of bird music; . he wrote his brother that the German birds, in comparisoQwith the Australian singers, were mere bunglers (Stumper), and adds thathe did not have occasion to alter his opinion later on. Three times hementions the point of rhythm. The litany of the owls is intoned inexact rhythm (Im strengsten RAythmns). This paper, meritorious itis isolated in the annals of the most musical of nations, is heartily com-mended to all readers, especially to those that question whether the littlebird-songs are melodies, are music. The songs from one to eleven are th
. Wood notes wild, notations of bird music; . he wrote his brother that the German birds, in comparisoQwith the Australian singers, were mere bunglers (Stumper), and adds thathe did not have occasion to alter his opinion later on. Three times hementions the point of rhythm. The litany of the owls is intoned inexact rhythm (Im strengsten RAythmns). This paper, meritorious itis isolated in the annals of the most musical of nations, is heartily com-mended to all readers, especially to those that question whether the littlebird-songs are melodies, are music. The songs from one to eleven are those of various unknown three is reported as exceptional in its sweetness and tenderness{Lieblichkeit und Zartheit), and is sung in strict rhythm, each tone beingdelivered with singular precision. The letters e and t, over the notes,indicate the breathing, — exhaling and inhaling. Number twelve is the song of a bird the colonists call the soldier or leather-head, and is described as containing in itself a world of melan- 14. WOOD NOTES WILD. 7. e e i e e e ^^^^^^ ^ 9. tr tr. tr. tr. 10. e i i i 11. tr. tr. P W^^ ^^^iiE^E 12. Marcato.
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