. Programme . for signals and simple tones produced are the open harmonies of the tube. The Ranz des Vaches isassociated with it. The horn, as heard at Grindelwald, inspired Alexis Chauvet (1837-71) to write a short but effective pianoforte piece, one of his Cinq Peuillets by Henri MarSchal, it was played here at a concert of the Orchestral Club,Mr. Longy conductor, January 7, 1902. The solo for English horn in Rossinis overtureto William Tell is too often played by an oboe. The statement is made in GrovesDictionary of Music and Musicians (Revised Edition) that


. Programme . for signals and simple tones produced are the open harmonies of the tube. The Ranz des Vaches isassociated with it. The horn, as heard at Grindelwald, inspired Alexis Chauvet (1837-71) to write a short but effective pianoforte piece, one of his Cinq Peuillets by Henri MarSchal, it was played here at a concert of the Orchestral Club,Mr. Longy conductor, January 7, 1902. The solo for English horn in Rossinis overtureto William Tell is too often played by an oboe. The statement is made in GrovesDictionary of Music and Musicians (Revised Edition) that this solo was originallyintended for a tenoroon and played by it. Mr. Cecil Forsyth, in his Orchestration,says that this assertion is a mistake, based probably on the fact that the part waswritten in the old Italian notation ; that is to say, in the bass clef an octave belowits proper pitch. (The tenoroon, now obsolete, was a small bassoon pitched a fifthhigher than the standard instrument.) Established 1877. 256 BOYLSTON StreetBoston IMPORTERS .. ORIGINATORS Riding Habits and Tailored Suits and Breeches Frocks Coats, Sporting Attire Day and Evening Dresses RIDING HABITSSPORTING COSTUMES NEW STYLES NEW CLOTHS 593 portions of it, whereas scarcely any one knew about the secondsymphony before it was completed, which I have reason to believewas after the first was ended; the second, then, was chiefly com-posed in 1877. In 1875 Dietrich visited Brahms at Zigelhausen,and he saw his new works, but when Dietrich wrote his recollectionshe could not say positively what these works were. We have quoted from Mme. Schumanns letter to Joachim in1862. Brahms was working on the Adagio and Scherzo when hewent from Hamburg to Baden-Baden in 1876. On September 25 heplayed to Mme. Schumann the first and last movements, and twoweeks later the whole symphony. She noted her disappointmentin her diary. To her this symphony was not comparable with theQuintet in F minor, the sextets, the pianoforte qua


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Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881