. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. and poetic music for mixed cho- rus with and without accompaniment by the bestcomposers, of olden and modern times, whichshould be studied most carefully. In the following a table of all the voices andtheir individual is presented. TABLE OF ALL THE VOICES AND THEIR INDIVIDUAL RANGE. P: P^==~ I ^^^^ il middle 1^ strong, brilliant reg.^1 ^ ^.a^■ register. register. .»- -<2- -^ — ~ :3 ^ i= i^=
. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. and poetic music for mixed cho- rus with and without accompaniment by the bestcomposers, of olden and modern times, whichshould be studied most carefully. In the following a table of all the voices andtheir individual is presented. TABLE OF ALL THE VOICES AND THEIR INDIVIDUAL RANGE. P: P^==~ I ^^^^ il middle 1^ strong, brilliant reg.^1 ^ ^.a^■ register. register. .»- -<2- -^ — ~ :3 ^ i= i^==l Real sound. ^ ^ n^ r\ weakreg. Hr Ij st:ro ng: dr. r: str o n g c lea r-s on ndreg . I _;_: isoloj;^ ea k i iniini :weak: reg. ~i we ak {solo. I :^: :3i::«:f^:^:=; A FEW REMARKS AS TO VOCALEFFECTS. Various modern composers have introducedwhat might be termed as a species of vocal in-strumentation of peculiar and odd effectiveness into their scores; the effect is produced bymeans of Humming Voices, which, while aseparate voice performs a solo, execute the partsof wind or string instruments by imitating sus-tained or pizzicato notes, as shown in the fol-lowing example: LES 286 AL/.VGS MODERN INSTRUMENTATIOX AND ORCHESTRATION.
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