. Furniture for the craftsman; a manual for the student and machanic. Fig. 30. Fig. 31. were undoubtedly influenced by the versatility of this 30, 3 I and 32 show other forms of this designers following Chippendale a little later no doubt were more 22 FURNITURE FOR THE CRAFTSMAN under the spell of the Louis XVI style, which was considerably-restrained in form and detail to that of Louis XV, and in con-sidering Hepplewhite and Sheraton we find little to criticize inextravagance of outline and surface -Chippendale pie crust and Sheraton From c
. Furniture for the craftsman; a manual for the student and machanic. Fig. 30. Fig. 31. were undoubtedly influenced by the versatility of this 30, 3 I and 32 show other forms of this designers following Chippendale a little later no doubt were more 22 FURNITURE FOR THE CRAFTSMAN under the spell of the Louis XVI style, which was considerably-restrained in form and detail to that of Louis XV, and in con-sidering Hepplewhite and Sheraton we find little to criticize inextravagance of outline and surface -Chippendale pie crust and Sheraton From certain glib usage by novelist and salesman, Chippen-dale is thought to be quite the entire show, when as a facttwo other men occupied the stage and played well their parts,at least in the last act of the Chppendale setting. How wellthe three have played, copied or vied with each other our presentday furniture stores will show. It is truly Chippendale, Hepple-white or Sheraton which the manufacturer aims to reproducewith all their characteristic features. The marked and individualizing feature of the Hepplewhitestyle in contrast to Chippendale is in lighter parts, graceful out- INFLUENCE OF ANTIQUE MODELS 23 line and delicate ornament, and to be just, very little piratingfrom the work of his own countryman, yet dominated much byFrench work and motifs. To arrive at a quick comprehension
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Keywords: ., bo, bookcentury1900, bookdecade1910, bookidfurnitureforcraf01otte
