. International studio. This happens inthe Berlin State Thea-tre, where Director? revolutionaries,has had great successin always setting allplays, old and mod-e r n , in t e rracedspaces; he has furthermade a name for him-self by the steps thatare invariably to beseen and on whichwhole scenes ol Rich-ard III are signalize interiorsor rural scenes a sym-bolical property onlyis necessary, such as apillar, wall, tree, gate,meadow, and the spectators im-agination will itself replace, andmore powerfully so, the illusionsof former days. Or nothing is needed at all,
. International studio. This happens inthe Berlin State Thea-tre, where Director? revolutionaries,has had great successin always setting allplays, old and mod-e r n , in t e rracedspaces; he has furthermade a name for him-self by the steps thatare invariably to beseen and on whichwhole scenes ol Rich-ard III are signalize interiorsor rural scenes a sym-bolical property onlyis necessary, such as apillar, wall, tree, gate,meadow, and the spectators im-agination will itself replace, andmore powerfully so, the illusionsof former days. Or nothing is needed at all, anylonger. Color drapings divide the space and createthe backgrounds, whilst the rhythm of the humanfigure stands forth in pure and undisturbedplasticism. Nonessentials are done away painters are confronted by great tasksand they undertake them according to their vari- ous conceptions. Corinth designed the decorations AUGUST 1922 four twentx -sevt n inceROAcionAL serai© SETTING BYERNST STERN FORDIE WUPPER. SETTING BY ERNST STERN FOR die wupper Jour twenty-eiebl AUGUST f 9 2 2 inceRnAcioriAL. strou©
Size: 1278px × 1956px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
