A complete illustrated catalogue to the National Gallery . Mark. I ft. 11* in. X 2 ft. \\\ in. 1845. 508. ^^ Ulysses deridingFolyJ>hemus. 4 ft. 3 in. x 6 ft. 7 in. 1829. The whole picture is illumined by the golden and crimson light of a brilliantsunrise ; the gorgeous galley of Ulysses is on the point of putting off from the islandwhere the Cyclops Polyphemus dwelt. (See frontispiece.) 518. Heidelberg Castle in the Olden Timer Painted about 1835. 4 ft. 3 in. x 6 ft. 7 in. 540. Venice Quay; the ducal palace, the Riva degli Schiavoni,and the Church of San Zaccaria. 1 ft. 11^ in. X
A complete illustrated catalogue to the National Gallery . Mark. I ft. 11* in. X 2 ft. \\\ in. 1845. 508. ^^ Ulysses deridingFolyJ>hemus. 4 ft. 3 in. x 6 ft. 7 in. 1829. The whole picture is illumined by the golden and crimson light of a brilliantsunrise ; the gorgeous galley of Ulysses is on the point of putting off from the islandwhere the Cyclops Polyphemus dwelt. (See frontispiece.) 518. Heidelberg Castle in the Olden Timer Painted about 1835. 4 ft. 3 in. x 6 ft. 7 in. 540. Venice Quay; the ducal palace, the Riva degli Schiavoni,and the Church of San Zaccaria. 1 ft. 11^ in. X 2 ft. I li in. 1844. 523. ? Agrippifia landing with the Ashes of Gennaniciis AncientRome; triumphal bridge and palace of the Cresars restored. 2 ft. 11 in. X 3 ft. I It in. 1839. 548. Qtieen MaVs Grotto^ 2 ft. 11 in. X 3 ft. 11 in. 1846. Frisk it, frisk it, by the moonlight beams. Fallacies of Hope, 519. Regitliis leaving Rome, to return to Carthage. 3 ft. X 4 ft. 1837. In the centre of the east wall, in the place of honour, is—. No. 497. 6 ft. 4 in. X 5 ft. 3 in. 497. Crossing the Brook 1815. One of Turners finest landscapes, which, together with the pictures on either side of it—^- A Frosty Morning (492), and Bligh Sand (496) F 66 British School. —mark a distinct period of work, between the early pictures, hUng onthe south side of the gallery, and the brilliant effects in his later style,^yhich we have just seen. Crossing the Brook has much in commonwith his later pictures, but is lower in tone. The view is a grandbut fanciful rendering of the scenery on the Tamer; a winding river,which diNides the counties of Devonshire and Cornwall, treated afterthe manner of Claude. On the left is—492. A Frosty Morning; Sunrise. i8i Effect of sun upon the hoar frost and stillness in the air; a beautifulexample or Turners work, less sunny than might appear from thesketch.
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Keywords: ., bookauthorblackbur, bookcentury1800, bookdecade1870, bookyear1879
