Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . hich immediately follovj. It is useless to attempt to draw the exact line which shall divide tunes suited to Quartetfrom those adapted to Chorus Choirs. It will depend largely upon the training and naturalvoices of a given Chorus Choir as to how far its repertory may encroach upon that of theQuartet. In general, however, the character of the tune may be said to govern this quite asmuch as th
Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . hich immediately follovj. It is useless to attempt to draw the exact line which shall divide tunes suited to Quartetfrom those adapted to Chorus Choirs. It will depend largely upon the training and naturalvoices of a given Chorus Choir as to how far its repertory may encroach upon that of theQuartet. In general, however, the character of the tune may be said to govern this quite asmuch as the relative difficulty. Thus the following example, although simple, is essentially aquartet tune, and Avoiild lose rather than gain in character if sung by a chorus: Example 24 (as weitten and sung). :g^^-»-:gE S^fei^|tpiilpPii§i^^?iS^SPgPJ Far from my79- thouglits, vain worl .j=^(t Let ious hours a - lone: W -^ -*? J -£> • «- iH From flesh and sense I would be free, And hold com - mun - ion. Lord, witli Thee. -C/ I -^-- We now give one of the many possible forms of accompanying the above, that the reader,having it before his eyes, may consider with us the points that follow: Example
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Keywords: ., bookcentury1800, bookdecade1880, booksubjectorganmu, bookyear1888
