. Colour in woven design . esponds tothe fifth pick in B. Still, though the order of the threadsis the same in both sections, the methods on which thecolours are crossed in the respective parts of the textureare dissimilar, hence corresponding results cannot possiblyensue. This difference of effect, arising from commencingcolouring on certain threads and picks of the weave,increases the variety of styles obtainable in the same orderof threads and principle of intertexture. 134. Various Three-shade Patterns.—Amongst other simple schemes ofcolouring composed of three shadesare those given in Met
. Colour in woven design . esponds tothe fifth pick in B. Still, though the order of the threadsis the same in both sections, the methods on which thecolours are crossed in the respective parts of the textureare dissimilar, hence corresponding results cannot possiblyensue. This difference of effect, arising from commencingcolouring on certain threads and picks of the weave,increases the variety of styles obtainable in the same orderof threads and principle of intertexture. 134. Various Three-shade Patterns.—Amongst other simple schemes ofcolouring composed of three shadesare those given in Methods II., III.,)and IV. of Class B in the table of)Elementary Arrangements of system may be advantageouslydeveloped in the six-end twill—thelast system, which may be termedthe three-4s scheme, being, however, also workable in four-shaft weaves. Only two of these principles are illustrated,namely, the three-2s and the three-3s. It will be evidentfrom the sketches, figs. 43 and 44, that these patterns belong. Fig. 43. 208 COLOUR IN WOVEN DESIGN. to a useful class of effects; and, also, that they are extensivelyemployed in the manufacture of suiting and dress 43 is a particularly neat form of intermingled such shades as the following it gives admirable effects :— I. 3 threads of citron (No. 9, Plate II.).3 „ „ olive (No. 1, Plate II.).3 „ „ russet (No. 7, Plate II.). II. 3 threads of dark blue (No. 7, Plate III.).3 „ „ dark olive (No. 13, Plate III.).3 „ „ dark brown (No. 1, Plate III. 3 threads of light olive (No 9, Plate VI.).3 „ „ lilac (No. 17, Plate VI.).3 „ „ drab (No. 10, Plate VI.).The I. and III. of these colourings are specially suitable for dress fabrics, but the is best adapted fortweed suitings. This form ofpattern should also be deve-loped in mixture and twistyarns in woollen, worsted,cotton and linen materials. As a result of employing*this scheme of shades, threesets of checks, eac
Size: 1599px × 1563px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1890, booksubjectcolorin, bookyear1890
