The Savoy . ghbour instead of for himself, andall are tamed and chastised into weakness in order that they may be able toobey these prescriptions. Nietzsche ingeniously connected his slave-moralitywith the undoubted fact that for many centuries the large, fair-haired aristo-cratic race has been dying out in Europe, and the older down-trodden race—short, dark, and broad-headed—has been slowly gaining predominance. Butnow we stand at the threshold of the extra-moral period. Slave-morality,Nietzsche asserted, is about to give way to master-morality; the lion willtake the place of the camel. The i
The Savoy . ghbour instead of for himself, andall are tamed and chastised into weakness in order that they may be able toobey these prescriptions. Nietzsche ingeniously connected his slave-moralitywith the undoubted fact that for many centuries the large, fair-haired aristo-cratic race has been dying out in Europe, and the older down-trodden race—short, dark, and broad-headed—has been slowly gaining predominance. Butnow we stand at the threshold of the extra-moral period. Slave-morality,Nietzsche asserted, is about to give way to master-morality; the lion willtake the place of the camel. The instincts of life, refusing to allow that any-thing is forbidden, will again assert themselves, sweeping away the feeblenegative democratic morality of our time. The day has now come for theman who is able to rule himself, and who will be tolerant to others not outof his weakness, but out of his strength ; to him nothing is forbidden, for hehas passed beyond goodness and beyond wickedness. Havelock FROM THE IGNEZ DE CASTROOF ANTONIO FERREIRA1 Chorus youthful Love was bornInto the world came life, The stars received their light, the sun his raysThe Heavens glowed red that morn,And, vanquished in the strife, Darkness revealed all beauties to the that, high-throned, in feePossesses the third sphere,Born of the angry sea, Gave Love unto the world, her offspring dear. Tis Love adorns the earth With grass and babbling burns, Paints every flower, each tree with foliage weights,Fierce war to peace and mirth, Harshness to softness turns, Melting in thousand loves a thousand lives by death, the dure, Oercome, he doth renew ;The worlds gay portraiture, So fresh and lovely, unto him is due. 1 This was the first notable tragedy produced in modern Europe under the immediateinfluence ot Greek art and methods. Its subject—the death of D. Ignez de Castro—is onethat has been treated by authors of all nations since the death of Ferreira, but never sohappily
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