. Drawing and painting self-taught . appearance varies with the distance. Transfer thisdrawing to paper as you have the others. In the same way make drawings to scale on the Glass represent-ing the model as it will appear when the eye is opposite points3, 4, 6, 7, 8 and 9. Test each by observation through the eye-piece, when placed exactly opposite the given pair of you will prove how perfectly the theory enables you todraw the object from any given position opposite its front each drawing to paper and write neatly the statementof each problem. 165. One-Point or Paral
. Drawing and painting self-taught . appearance varies with the distance. Transfer thisdrawing to paper as you have the others. In the same way make drawings to scale on the Glass represent-ing the model as it will appear when the eye is opposite points3, 4, 6, 7, 8 and 9. Test each by observation through the eye-piece, when placed exactly opposite the given pair of you will prove how perfectly the theory enables you todraw the object from any given position opposite its front each drawing to paper and write neatly the statementof each problem. 165. One-Point or Parallel Perspective.—The above draw-ings are in one-point perspective, and prove the rule, thatall parallel lines that are horizontal, and that extend directlyaway from you, appear to vanish at a point on the level of youreye and exactly opposite your eye. Two Objects.—Support a box 12 high 24 square two feetabove the cube form, and parallel with it, and make a drawingof both objects as they appear from a point centrally placed and. HL.
Size: 1113px × 2245px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1920, booksubjectpainting, bookyear192
