. Studio international . ethods of his master, but he is moredramatic. The contrast between light and dark-ness is heightened to a climax in many of his plates,and nature, in her wildest, most theatrical phasesappeals to him most. He is the opposite of suchartists as Emil Anner, Helene Dahm, Franz Gelin,Gertrud Escher and their calm, quiet work. They with the members of the Wayet, and I do not know but what thatshould not be looked upon as a goodsign. On account of the easiness withwhich it is worked lithography is onlytoo often resorted to by artists whohave not a real calling for any printin
. Studio international . ethods of his master, but he is moredramatic. The contrast between light and dark-ness is heightened to a climax in many of his plates,and nature, in her wildest, most theatrical phasesappeals to him most. He is the opposite of suchartists as Emil Anner, Helene Dahm, Franz Gelin,Gertrud Escher and their calm, quiet work. They with the members of the Wayet, and I do not know but what thatshould not be looked upon as a goodsign. On account of the easiness withwhich it is worked lithography is onlytoo often resorted to by artists whohave not a real calling for any printingtechnique at all. C. M. Jand favourably known as an ableetcher, has exhibited several lithographsin colour. Hut tl crayon drawings, tinted (/ posteriori, and thecolouring does not really form anintrinsi< part of the work. Itschnershould, rationed as a II,. GlockcnbatKii—children playing il -is an Qt bit of handling gubjei ts itively. ? i Inb Albert Wi in. d to the oefon now, . round Wcln ii an in poweri I. OLD V I I mi ii-i-
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
