Vest 1800–1810 American or European Waistcoats of the 18th and 19th centuries served as a layer protection and ornamentation during a period in fashion when the coat was intended to be left open in the front. The color was often chosen to complement the suit and covered in imaginative embroideries, heavily woven patterns or shiny satins made to draw the eye. The style of the neck, the length and the hem treatment fluctuated as the tastes changed from over-sized coats of the early 18th century to narrow tightly fitted coats of the late 18th century and historical vest served as an i

Vest 1800–1810 American or European Waistcoats of the 18th and 19th centuries served as a layer protection and ornamentation during a period in fashion when the coat was intended to be left open in the front. The color was often chosen to complement the suit and covered in imaginative embroideries, heavily woven patterns or shiny satins made to draw the eye. The style of the neck, the length and the hem treatment fluctuated as the tastes changed from over-sized coats of the early 18th century to narrow tightly fitted coats of the late 18th century and historical vest served as an inspiration for a 1950's woman's vest designed for Mrs. William Randolph Hearst, Jr., by Charles James (CP89). The donor, who was a life-long muse and friend of James, often brought him historical fashions to reinterpret. The results were imaginative and Hearst was the third wife of William Randolph Hearst, Jr. (1908-1993), son of William Randolph Hearst (1863-1951), turn of the century newspaper mogul. She spent the war years hosting a radio show and writing a newspaper column about young society, which was picked up for national syndication after the war. She married Hearst in 1948, after a seven year marriage to Igor Cassini (1915-2002), brother of the fashion designer Oleg Cassini (1913-2006). She continued as a columnist until after her children were born in the early 1950s. The Hearsts were invited to parties at the White House, Truman Capote's infamous 1966 Black and White Ball and interviews with foreign dignitaries, to name a few. She was continuously on the International Best Dressed List throughout the 1950s and was inducted into the Best Dressed List International Hall of Fame in 1959. She first became a donor to the Brooklyn Museum in 1953 at the request of friend and designer, Charles James. Her first donation was comprised of James muslins and dresses. Thereafter, she regularly donated garments by famous designers such as Christian Dior, Madame Al

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