Anne Page, Slender and Shallow (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1) first published 1792; reissued 1852 Peter Simon Smirke's image evokes a comic interchange in the Merry Wives of Windsor. It was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the con
Anne Page, Slender and Shallow (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1) first published 1792; reissued 1852 Peter Simon Smirke's image evokes a comic interchange in the Merry Wives of Windsor. It was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805–his print sales plummeted when Napoleon blocaded European ports. This impression belongs to an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon and art scholar who acquired Boydell's heavily worn plates and had them reworked. Printed on thick cream colored paper, the New York edition added small numbers in the lower left margin, this being number Anne Page, Slender and Shallow (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1) 707905
Size: 2815px × 3796px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
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