. Excavations at Phylakopi in Melos,. Fk;. 14-2. —Shallow Vessel with Intekiok Handle (1 :4). Style they are completely Mycenaean. The patterns themselves should becompared with some of the gold plaques from the shaft graves, such as Schlie- ~i~Dingy clay, daik polished surface ^ Light-coloured, gritty clay, lustrouBdark knob on eacli side of shoulder. coat. 15fi C. C. EDGAR mann Mycenae, p. 323, no 491. They are somewhat suggestive of shells, butit is doubtful whether this idea was in the mind of the artist and certainlythe groundwork of the design is in each case a spiral scheme. Fi
. Excavations at Phylakopi in Melos,. Fk;. 14-2. —Shallow Vessel with Intekiok Handle (1 :4). Style they are completely Mycenaean. The patterns themselves should becompared with some of the gold plaques from the shaft graves, such as Schlie- ~i~Dingy clay, daik polished surface ^ Light-coloured, gritty clay, lustrouBdark knob on eacli side of shoulder. coat. 15fi C. C. EDGAR mann Mycenae, p. 323, no 491. They are somewhat suggestive of shells, butit is doubtful whether this idea was in the mind of the artist and certainlythe groundwork of the design is in each case a spiral scheme. Fig. 142 is arestoration of a large bowl with an interior handle reaching from rim to base :possibly the original vessel had more than one such handle. The fragmentis of the same ware as Fig. 141, and was not the only example of this peculiar. Fk;. 143.—Rim and Shoulder of Larcje Vase (1 :4). type, to which some parallels can also be cited from Egyptian pottery of the12th Dynasty (Petrie, Kahun, Gnrch, and Hawara, p. 25, pi. xiii., 58).Fig. 144, another instance of interior decoration, recalls some of the designsin Sect. 9, but the fragment is of different ware, being composed of gritty,reddish clay with light-coloured slip: the paint is the usual lustreless black,A curious fragment of a .similar sort of ware, reproduced on PI. XIX. No. 8,
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Keywords: ., bookcentury1900, bookdecade1900, bookidexcavationsa, bookyear1904
