Typical tales of fancy, romance, and history from Shakespeare's plays; in narrative form, largely in Shakespeare's words, with dialogue passages in the original dramatic text . with a little good-humored raillery. Said he, — 132 SHAKESPEARE FOR THE YOUNG FOLK. Be of good cheer, youth. — You a man ! — You lack a mans heart. Rosalind. I do so, I confess it. Ah, sir ! a body would think this was wellcounterfeited. I pray you, tell your brother how well I, counterfeited. Heigho![ With a deep sigh.~\ Oliver. This was not counterfeit : there is too great testimony in your complexion,that it was a [f
Typical tales of fancy, romance, and history from Shakespeare's plays; in narrative form, largely in Shakespeare's words, with dialogue passages in the original dramatic text . with a little good-humored raillery. Said he, — 132 SHAKESPEARE FOR THE YOUNG FOLK. Be of good cheer, youth. — You a man ! — You lack a mans heart. Rosalind. I do so, I confess it. Ah, sir ! a body would think this was wellcounterfeited. I pray you, tell your brother how well I, counterfeited. Heigho![ With a deep sigh.~\ Oliver. This was not counterfeit : there is too great testimony in your complexion,that it was a [feeling] of earnest. Rosalind. Counterfeit, I assure you. Oliver. Well then, take a good heart, and counterfeit to be a man. Rosalind. So I do ; but, in faith, 1 should have been a woman by right. Celia. Come, you look paler and paler : pray you, draw homewards. — Good sir,go with us. Oliver. That will I, for I must bear answer back how you excuse my brother,Rosalind. Rosalind. I shall devise something: but, I pray you, commend my counterfeitingto him. — Will you go ? ? And Oliver accompanied them to their cottage before returning to report mattersto
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