GOWN (scabbard), Anonymous, c. 1910 KLARON, FOURREAU, with a short body of blue/pink changing taf side and a skirt of Laize (Machinally Lace) and Ditto Tafzijde, embroidered in relief with multicolored flowers. Model: Ankleang, Lazy Falling Model. The short body blew over in a point in the middle. Laize skirt (machine side with a width) with a pattern of oval medallions and flowers tie ribbons. On the back from the waist a wrinkled strip of crepe Georgette, which ends in a rosette with trail (?); Set all around with a narrow open zoompje. Lined with white silk and white cotton inner body. Deco
GOWN (scabbard), Anonymous, c. 1910 KLARON, FOURREAU, with a short body of blue/pink changing taf side and a skirt of Laize (Machinally Lace) and Ditto Tafzijde, embroidered in relief with multicolored flowers. Model: Ankleang, Lazy Falling Model. The short body blew over in a point in the middle. Laize skirt (machine side with a width) with a pattern of oval medallions and flowers tie ribbons. On the back from the waist a wrinkled strip of crepe Georgette, which ends in a rosette with trail (?); Set all around with a narrow open zoompje. Lined with white silk and white cotton inner body. Decoration: The neck and the sleeves are trimmed all around with narrow taffetes of straps. The multi -colored embroidery on the floss side and gold thread owes the relief to roses of loops floszijde through which thin iron wire (laiton?) Is turned through. Steel stitch, entering stitch and button stitch were used in the embroidery work. From 1906 the Paris couturier Paul Poiret (1879-1944) worked on a right silhouette that would ideally make the corset superfluous. His straight Fourreaux in the Style Directoire and the Style Empire controlled the fashion image around 1910. The dresses are then, as it were, divided into three. The solid -looking skirt is limited above and below by the same substance or decoration. A long slip of contrasting color and material seems to be the 'only' connection between body and skirt and has been applied to the back with this dress. The machine side of this dress is probably committed on an eighteenth century example. The partially highly worked embroidery, on the other hand, follows the contemporary colors and fashion. Already in 1907 Poiret introduced folkloric tinted embroidery in relief. France (possibly)Netherlands (possibly) Completely: Taffeta. whole:. embroidery:. Embroidery: metal thread. lining skirt: Silk. Inside: cotton (textile). Strip/Sleep: embroidering KLARON, FOURREAU, with a short body of blue/pink changing taf side and a skirt of L
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