A treatise on wood engravings : historical and practical . NORTH PORCH OF STA. MARIA MAGGIORE, BERGAMO. The wood-engravings in the present and following pages are byMr. Orlando Jewitt, who devotes himself almost exclusively toGothic Architecture and Ornament, in which he is pre-eminent. Heis one of the very few who continue to combine designing and drawing ARTISTS AND ENGRAVERS OF THE PRESENT DAY. 585* with engraving. The first specimen here presented is from StreetsBrick and Marble Architecture of Italy in the Middle Ages, 8vo., pub-lished by Mr. Murray in a ,B .B .a jt .B .a .a .a .a
A treatise on wood engravings : historical and practical . NORTH PORCH OF STA. MARIA MAGGIORE, BERGAMO. The wood-engravings in the present and following pages are byMr. Orlando Jewitt, who devotes himself almost exclusively toGothic Architecture and Ornament, in which he is pre-eminent. Heis one of the very few who continue to combine designing and drawing ARTISTS AND ENGRAVERS OF THE PRESENT DAY. 585* with engraving. The first specimen here presented is from StreetsBrick and Marble Architecture of Italy in the Middle Ages, 8vo., pub-lished by Mr. Murray in a ,B .B .a jt .B .a .a .a .a .k ,k .a .K J« ,H ,B .u .a .k m .a.«.a .a .u .a .u ,a .a .a m jsmmj^j ^^iJL ^w iM? SHRINE IN BAYEUX CATHEDRAL. Our second specimen, and two of those on the next page, are fromMr. Pugins splendid work, the Glossary of Ecclesiastical Ornament,published by Henr}^ G. Bohn in 184G. s s * 58G^ ARTISTS AND ENGKAVEKS OF THE PRESENT DAY.
Size: 1295px × 1929px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1880, booksubjectwoodengraving, bookye
