Illustrated catalogue and price list of artists' materials, gold paint, bronze powders, metallics, metal leaf, &c: colors and materials for china and glass painting ; colors and materials for oil, water color & pastel painting and drawing, &c. . nese RED Persian Red T Scarlet Red ROSE PINK UNIQUE 0 25 VIOLET 0 25 WHITE, for printing on colored body 0. 60 Dark YELLOW Regular 0 15 Silver HARD GLAZE 0. 10 SOFT SPECIAL Instructions for the Use of Underglaze Colors. Underglaze Painting is done on the hxscuif surface of the waresbefore the


Illustrated catalogue and price list of artists' materials, gold paint, bronze powders, metallics, metal leaf, &c: colors and materials for china and glass painting ; colors and materials for oil, water color & pastel painting and drawing, &c. . nese RED Persian Red T Scarlet Red ROSE PINK UNIQUE 0 25 VIOLET 0 25 WHITE, for printing on colored body 0. 60 Dark YELLOW Regular 0 15 Silver HARD GLAZE 0. 10 SOFT SPECIAL Instructions for the Use of Underglaze Colors. Underglaze Painting is done on the hxscuif surface of the waresbefore the glaze on lohich they depend to bring out their rich depths isapplied. The colors are mixed the same as powder colors for overglazerjainting,with Turpentine and Fat Oil, and, cfter they are applied, the glazeis laid over them. The fire Underglaze Cokm^ require is far greater thanrose color heat and is known as -glost oven cr glaze ktlti heat. Theyare specialh/ prepared to stand the much greater degree of heatto which theymust he subjected. 28 A. SARTORIUS & CO., NEW YORK. MITERIILS FOR CHINA AND GLASS PAINTING—Contd M. Sartorius k Sflperior Liquid Bright Gold, Silver & Platinum, FOR DECORATING CHINA, EARTHENWARE AND PUT UP IMHlV^ JRoffl lif VIALS. Sartorius Superior Liquid Bright Gold per vial* $0. 75 Silver 0 60 Platinum .... Essence for thinning above Liquids Liquid for Matting Liquid Bright Gold 0. 60 InstrnctioDs for the Use of Liquid Bright Gold, Silver and Platinum. These prepa7-ations are liquid^, ready for use, and put up in vialsw bottles The brush is simply dipped into them and the liquids appliedon the vnre in an even and pyelty heavy coating. Be carefxdto use brushesthat are not damp and have not been used before with colors, as this icillcause the Liquid Gold to appear blackish after firing. These liquids comebright (ready burnished) out of the kiln. The Essence for Liquid BrightGold is used in case the Gold, by standing on the palette for


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Keywords: ., bookcentury1800, bookdecade1890, bookidillustratedc, bookyear1894