. A key to Harmony simplified and a classroom manual. G : vi V7 - alt. I IV7 -alt. II Many of the altered tones give the effect of passing-notes, rather than of altered chords, as they are essentiallymelodic, rather than harmonic, in character. 11. ^ > ^s^iy-^ _r i -Z5*- i& —{*=**—i ^vdK^ -&- -&? -& hist- Si ^fctf&gzz^s: felt 3 * I E3E Eb: V, I IV-alt. f : V7 iEb: ii m -7 I - alt. c : V7* For a more scientific and modern explanation of these chords see Chap- ter XII. I4-0 KEY TO HARMONY SIMPLIFIED v ^ ~&~ ~&~m 6 7 7 6 7 5-* 5 g g Eb: r VI n7 I IV7 n7 Bb: V7 I 1 I Eb: V alt, I QUESTI
. A key to Harmony simplified and a classroom manual. G : vi V7 - alt. I IV7 -alt. II Many of the altered tones give the effect of passing-notes, rather than of altered chords, as they are essentiallymelodic, rather than harmonic, in character. 11. ^ > ^s^iy-^ _r i -Z5*- i& —{*=**—i ^vdK^ -&- -&? -& hist- Si ^fctf&gzz^s: felt 3 * I E3E Eb: V, I IV-alt. f : V7 iEb: ii m -7 I - alt. c : V7* For a more scientific and modern explanation of these chords see Chap- ter XII. I4-0 KEY TO HARMONY SIMPLIFIED v ^ ~&~ ~&~m 6 7 7 6 7 5-* 5 g g Eb: r VI n7 I IV7 n7 Bb: V7 I 1 I Eb: V alt, I QUESTIONS ON ALTERED CHORDS. ( i ) What is an Altered Chord ? ( 2 ) When a chord is altered, what classifications mayresult ? (3) Which of the Altered Chords are in general use ? (4) What is a Fundamental Chord ? (5 ) In how many forms may Fundamental Chordsappear ? ( 6) How does the change of Root change the Resolu-tion of a Fundamental Chord ? ( 7 ) Can you give an illustration of a change of Root,by altering one tone o
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