International studio . s to quit his pleasant abode on inks of the Lys. The lithograph we uow reproduce (page 157) is a product of last winter,when the veteran artist, looking out from thewindows of a studio overlooking the Embank-ment, gathered and recorded those interestingimpressions of the Thames which were thesubject of the paintings exhibited a few monthssince at the Goupil Gallery, and it demonstratesadmirably the power of this worshipper ofsunshine and colour to register kindred im-pressions in a monochrome medium. The printwas included in the last exhibition of the Sene-felder Club, b
International studio . s to quit his pleasant abode on inks of the Lys. The lithograph we uow reproduce (page 157) is a product of last winter,when the veteran artist, looking out from thewindows of a studio overlooking the Embank-ment, gathered and recorded those interestingimpressions of the Thames which were thesubject of the paintings exhibited a few monthssince at the Goupil Gallery, and it demonstratesadmirably the power of this worshipper ofsunshine and colour to register kindred im-pressions in a monochrome medium. The printwas included in the last exhibition of the Sene-felder Club, but in the catalogue was unfor-tunately attributed to another artist. We referred recently to Mr. Joseph Pennellsresignation of the presidency of the SencfelderClub and acceptance of honorary Pennell, as we now learn, has gone, or isabout to go, to America with the intention ofresiding there permanently. The Club has notyet elected his successor, but meanwhile S. Hartrick is acting as president. LITHOGRAPH DESIGNED AS A POSTER FOR THE LONDON UNDERGROUND RAILWAYSBY J. WALTER WEST, 156
Size: 1970px × 1268px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
