. Nature dancing; the poetry of motion . Fig. III. —Shows straigbteuings up and holding position. 12 Seap up off both feet. -^/<?//a. araz/oso. Begin exactly as in the previous exercise, counting 6 for the step and springsand 3 for he runs forward. Then spring both feet together, with a small plie (Fig. I.) and spring up as high aspossible off both feet (Fig. II.) landing on R foot (with plie), L foot extended at back. As the spring is made, both arms are raised, R arm forward and L arm at back(they are more or less flung up) 3 counts, 4 measures. Reverse, beginning on L foot. It is the pli
. Nature dancing; the poetry of motion . Fig. III. —Shows straigbteuings up and holding position. 12 Seap up off both feet. -^/<?//a. araz/oso. Begin exactly as in the previous exercise, counting 6 for the step and springsand 3 for he runs forward. Then spring both feet together, with a small plie (Fig. I.) and spring up as high aspossible off both feet (Fig. II.) landing on R foot (with plie), L foot extended at back. As the spring is made, both arms are raised, R arm forward and L arm at back(they are more or less flung up) 3 counts, 4 measures. Reverse, beginning on L foot. It is the plie with both feet together that givesthe elevation for the springup.
Size: 2041px × 1225px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1910, bookidnatu, bookpublishernewyork
