International studio . DIMM, ROOM—HOME OF RICHARD H. HUNT Nationalism and the Art of the Future. FIREPLACE IN STUDIO—HOME OF RICHARD H. HIM to eighteenth-century manufacture hang on thewalls or are used as portieres, eight examples inall, one of which betrays its venerable age fromthe fact of the legend being reversed. It musthave been produced before the weavers had ar-rived at the now simple conclusion that to readan inscription aright it must be woven back-wards. Chasubles, vestments and armplates havebeen hung high on the walls to form a frieze. The mantel transports one in fancy to someol
International studio . DIMM, ROOM—HOME OF RICHARD H. HUNT Nationalism and the Art of the Future. FIREPLACE IN STUDIO—HOME OF RICHARD H. HIM to eighteenth-century manufacture hang on thewalls or are used as portieres, eight examples inall, one of which betrays its venerable age fromthe fact of the legend being reversed. It musthave been produced before the weavers had ar-rived at the now simple conclusion that to readan inscription aright it must be woven back-wards. Chasubles, vestments and armplates havebeen hung high on the walls to form a frieze. The mantel transports one in fancy to someold Italian palace and there, indeed, it beautifully carved Florentine mirror overhangsit; on a shelf of the mantel is a silver bust of , discovered in Venice, thus rounding offan interesting group of Renaissance art. From the ceiling hang sanctuary lamps. These,like the St. Carlo professional lanterns, altarfronts, etc., formerly belonged to churches whichhave been condemned by the Italian governmentand taken over for educational purposes. As an avid collector Mr. Hunt
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
