International studio . ng of them together. Jan Hendrik Weissenbruch (1824-1903) re-sembles Mauve to some extent in his well-balancedcolour, but was less self-restrained than his greatercontemporary. His colour-scheme in the land-scape representing him is a delicate one, but thegrey tones, instead of being blended, as in the workof Mauve, with the more decided tints, are keptseparate from them as a kind of , warm, and shimmering, the colour adds greatcharm to work of which it may perhaps be said thatlight-hearted gaiety, such as animated the artists otclassic times, is the pr
International studio . ng of them together. Jan Hendrik Weissenbruch (1824-1903) re-sembles Mauve to some extent in his well-balancedcolour, but was less self-restrained than his greatercontemporary. His colour-scheme in the land-scape representing him is a delicate one, but thegrey tones, instead of being blended, as in the workof Mauve, with the more decided tints, are keptseparate from them as a kind of , warm, and shimmering, the colour adds greatcharm to work of which it may perhaps be said thatlight-hearted gaiety, such as animated the artists otclassic times, is the preponderating pictures are evidently the outcome of his ownjoy in the beauty of nature. Albert Neuhuys (bom 1844) belongs to thesame gifted group, and resembles his fellow-members in his earnestness of outlook, rarelyrelaxed even in his lightest moods, and in hisdelight in what may be called childlike instinctiveemotions. His work is noteworthy for its quiet,restrained colouring and avoidance of startling. BY ANTON MAUVE
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
