. Art in France. temperament still essentially romantic; he deformed, twisted, elongated or inflated bodies and faces, to show character or emphasise a type. These great caricaturists were the precursors of the realists. Orleanist society lives again with Monniers Joseph Prudhomme, Gavarnis Lorette, Daumiers Ventre Legislatif Robert Macaire, the precursors of his later type, thefamous Rataplan, imperialist grotesque Romanticist preparedthe way for the dull ugliness ofrealism. Classicists and Romanticists, inspite of their divergencies, had thisin common, that they were one andal


. Art in France. temperament still essentially romantic; he deformed, twisted, elongated or inflated bodies and faces, to show character or emphasise a type. These great caricaturists were the precursors of the realists. Orleanist society lives again with Monniers Joseph Prudhomme, Gavarnis Lorette, Daumiers Ventre Legislatif Robert Macaire, the precursors of his later type, thefamous Rataplan, imperialist grotesque Romanticist preparedthe way for the dull ugliness ofrealism. Classicists and Romanticists, inspite of their divergencies, had thisin common, that they were one andall painters of the studio, the mu-seum, or the reception-room. Bou-cher had shown how to decorate apanel for a boudoir, David how tocolour an antique hero. Ingres how todraw a living model. Delacroix howto materialise brilliant fictions; noone had, so far, recommended paintersto go and set up their easels in theopen air, not even Joseph idealism had omitted land-scape. And yet writers had been351. 737 — DEVERIA. WOMAN IN BALL DRESS. () (Rouart Collection, Paris.) ART IN FRANCE


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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernew, booksubjectart