L'arco degli argentari, adossato alla chiesa di San Giorgio al Velabro 1848–52 Eugène Constant French Constant, who associated with the painter-photographers at the Caffè Greco, was the first in Rome to use the method of albumen on glass plate negatives devised by the Frenchman Niépce de Saint-Victor in 1847. This remarkable album contains thirty prints by Constant, each affixed to a page bearing the blind stamp of the bookseller Edouard Mauche (who sold his views).. L'arco degli argentari, adossato alla chiesa di San Giorgio al Velabro. Eugène Constant (French, active Italy, 1848–55). 1848–52


L'arco degli argentari, adossato alla chiesa di San Giorgio al Velabro 1848–52 Eugène Constant French Constant, who associated with the painter-photographers at the Caffè Greco, was the first in Rome to use the method of albumen on glass plate negatives devised by the Frenchman Niépce de Saint-Victor in 1847. This remarkable album contains thirty prints by Constant, each affixed to a page bearing the blind stamp of the bookseller Edouard Mauche (who sold his views).. L'arco degli argentari, adossato alla chiesa di San Giorgio al Velabro. Eugène Constant (French, active Italy, 1848–55). 1848–52. Albumen print from glass negative. Photographs


Size: 1800px × 2291px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: