. International studio. dignity of composition. A beautiful modulation of reds and bluesharmonised in a scholarly way is the distinctivefeature of Charles H. Mackies Farm Fond^ subject. Mason Hunter reaches ahigher level than usual in his Silver confusing the impression by the J. Campbell Noble,one of the staunchestfriends of the Societyamong the Academi-cians, has seldombeen better repre-sented than by hisTrossachs landscapewith its glowing sunsetw^armth on the lowhills, and cool, repose-ful foreground. RobertNoble sends one ofthe richest apple blos-som pictures h


. International studio. dignity of composition. A beautiful modulation of reds and bluesharmonised in a scholarly way is the distinctivefeature of Charles H. Mackies Farm Fond^ subject. Mason Hunter reaches ahigher level than usual in his Silver confusing the impression by the J. Campbell Noble,one of the staunchestfriends of the Societyamong the Academi-cians, has seldombeen better repre-sented than by hisTrossachs landscapewith its glowing sunsetw^armth on the lowhills, and cool, repose-ful foreground. RobertNoble sends one ofthe richest apple blos-som pictures he haspainted, and a springeffect on the Tynewhich realises the coolatmosphere of the ver-nal season on the Eastcoast. Robert Burns—? painting, evidentlyfrom the windows ofthe new Art School—shows a view of Edin-burgh Castle with theroofs of the squalidWest Port houses asa foreground under awinter effect that isan extremely clevercomposition as well asbeing an alluring studyin pearly greys; andJames Paterson, in a. AN OLD-TIME MELODY BY GRAHAM GLEN223 studio- Talk


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