. International studio . DECORATIONS IN THE HOTEL TRAYMORE. ATLANTIC CITYXVIII BY GEORGE HARDING The JI ood-( ut Prints of Dean Babcock. THE MOUNTAIN T HE WOOD-CUT PRINTS OF DEANBABCOCKBY THEO. MERRILL FISHER A CHANCE meeting with Helen Hydewhen she was visiting friends in Colorado, a fewyears ago, seems to Dean Babcock one of thecrucial points in his artistic career. Then justout of art school, and as yet uncertain of hispowers, the opportunity of discussing with MissHyde the history and methods of the Japaneseprint makers and her own work in this field, gaveBabcock at once the insp


. International studio . DECORATIONS IN THE HOTEL TRAYMORE. ATLANTIC CITYXVIII BY GEORGE HARDING The JI ood-( ut Prints of Dean Babcock. THE MOUNTAIN T HE WOOD-CUT PRINTS OF DEANBABCOCKBY THEO. MERRILL FISHER A CHANCE meeting with Helen Hydewhen she was visiting friends in Colorado, a fewyears ago, seems to Dean Babcock one of thecrucial points in his artistic career. Then justout of art school, and as yet uncertain of hispowers, the opportunity of discussing with MissHyde the history and methods of the Japaneseprint makers and her own work in this field, gaveBabcock at once the inspiration and essentialtechnical knowledge needed for initial effort alongsimilar lines. Fortunately, as time proved, the enthusiasm ofthe moment was more than the flash in the pan experience of so many artistic up as a possible means of self-discoveryand quite in the amateur spirit, the artist soonfound that it was his good fortune to have beenintroduced to a means of expression which wasfascinating in its unusualness and challenging inits endless opportunities for experiment. His VL- No. 16WOOD-BLOCK PRINT BY DEA


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